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袁华苓，
艺术编辑 / 艺术撰稿人。

深耕艺术文化领域，兼具艺术编辑、文案撰写、展览内容策划多重经验。擅长当代艺术作品解读、艺术家专访撰稿、展览前言与作品阐释创作，熟悉新媒体艺术、潮流艺术、跨媒介装置等多元艺术形态。

个人微信公众号：苓度。其出发点来自“零度翻译”。该词条是一个翻译理论概念，最早由法国学者罗兰•巴特提出。它的核心思想是翻译应该保持一种中立、客观、不带个人情感和色彩的状态，像“零度”的水一样平静，力求最忠实、最准确地再现原文的内容和形式。

望以敏锐的艺术审美与文字把控力，擅长以克制且有温度的笔触，解构作品内核、梳理艺术脉络，精准适配画册出版、展览文案、艺术推文与艺术家档案整理等全类型内容创作，以专业编辑视角搭建艺术与大众之间的沟通桥梁。

CV
PROJECT 07
Sanlunche
三轮车

Collected in Islands 6
Chinese / English
2022
 Info


Article
150 words
https://mp.weixin.qq.com/s/MJ_THd15rvUT6BkEe9Vy3w 成语如是说："集腋成裘"。一个骑着三轮车的人在不断适应新环境的同时将所见的一切都收进眼底，但也别指望他会对自己的所见所闻有任何深刻而富有哲理的想法，只是正好促使他前进生活的轮子需要不停转动。那么你呢？你是希望看到变化从远处慢慢靠近，还是在那一刻直接与之迎面交汇？也许区别也不大，我们都不过以不同的方式阅读生命中出现的指示牌。生活中唯一最简单的真谛是：变化是不可避免的，并且在上海，它会不断快速更新，它的城市面貌会不断变化，不断有新的建筑物拔地而起。但这样的变化着实带给不了威廉·莎士比亚这类人任何深刻的印象。"不！时间，你不能夸耀我着实改变了，"这位属于世界的伟大剧作家、诗人于 1609 年如此写道，"你们的金字塔是用更新颖的力量建造起来的。对我来说，这没有什么新奇的，也并不奇怪；它们不过是对旧物的新装扮。" 莎士比亚会讨厌这个汉字 ——"拆"。今时今日当它被涂抹在老房子或街道的外墙上时，这意味着这些可怜建筑物和街道即将不复存在。人们对这些土地征用提出抗议，但对于大多数人来说，拆迁带来的丰厚回报远远超乎它所带来的情感价值。怀旧的人可能会说，令人不安的大拆迁象征着文化遗产的侵蚀，新开辟的道路正在以牺牲历史印记和时代故事为代价。多年来，苏州河河畔发生了翻天覆地的变化。如果三轮车会说话，它会喋喋不休地讲上一千个故事，但是非要添油加醋地改造它，它最终的结局可能只是一堆随时会被淘汰的废铜烂铁而已。

As the Chengyu suggests, “a fur coat can be made of scraps” (集腋成裘). A man steering a sanlunche (tricycle) sees everything while constantly acclimatising to new surroundings. But don’t expect any deep and meaningful words from him. His wheels keep on turning. What about you? Would you rather see change approaching slowly in the distance or have a head-on collision with it in the moment? Maybe it doesn’t matter, we all read the signs differently. A simple fact of life is that change is inevitable and it continues to happen at a rapid rate in Shanghai. The city’s physical appearance is ever-evolving with an endless amount of buildings being erected to accommodate growth. But it’s not like that would impress William Shakespeare or anything. “No! Time, thou shalt not boast that I do change,” wrote the poet in 1609. “Thy pyramids built up with newer might. To me are nothing novel, nothing strange; They are but dressings of a former sight.” He’d have hated the Chinese character Chai (拆), meaning to demolish, then. When it gets painted on houses and tower blocks in the country today it means the buildings’ days are numbered. People have protested against these land seizures but for most, the generous payoff that comes with such an order far outweighs sentimental value. Old hats might say unsettling demolition jobs symbolise an erosion of cultural heritage and that new paths are being laid at the expense of the past. Suzhou creek riverbank has seen its fair share of change over the years. If the sanlunche could talk, it would tell a thousand stories. But take it with a pinch of salt, as it’s probably just a load of old rubbish.


STATUS：

Available. Please CONTACT US for inquiries.

EXPOSURE

“Welcome To The Neighborhood” at island6 Shanghai
EDITION, MEDIA, SIZE & WEIGHT Unique：

Edition, Shanghai 2022
RGB LED display, acrylic painting on Plexiglass,
Vietnamese linen embedded in hand cast resin, teakwood frame
46(W) × 65(H) × 5.5(D) cm // 11.1 kg

TECH SPECS：

• 1 × SLC SD Card
• 4 × MWLPV20-5 (INPUT 100~240VAC@0.55A / OUTPUT 5V@3A)
• (3+1 spare) × RGB P4-1921-8S-V3.0 / P4SMD220221-141T/1A/200-A1

CREDITS：

Wang Chuanwen 王传文 (Painting)
Harleen 华苓 (Performance/Writing)
Camilla Zhao 赵莹 (Performance)
Thomas Charvériat (Art direction)
Yeung Sin Ching 杨倩菁 (Production supervisor)
Tiara Alvarado-Leon (Blurb)