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袁华苓，
艺术编辑 / 艺术撰稿人。
深耕艺术文化领域，兼具艺术编辑、文案撰写、展览内容策划多重经验。擅长当代艺术作品解读、艺术家专访撰稿、展览前言与作品阐释创作，熟悉新媒体艺术、潮流艺术、跨媒介装置等多元艺术形态。
个人微信公众号：苓度。其出发点来自“零度翻译”。该词条是一个翻译理论概念，最早由法国学者罗兰•巴特提出。它的核心思想是翻译应该保持一种中立、客观、不带个人情感和色彩的状态，像“零度”的水一样平静，力求最忠实、最准确地再现原文的内容和形式。
望以敏锐的艺术审美与文字把控力，擅长以克制且有温度的笔触，解构作品内核、梳理艺术脉络，精准适配画册出版、展览文案、艺术推文与艺术家档案整理等全类型内容创作，以专业编辑视角搭建艺术与大众之间的沟通桥梁。
CV
PROJECT 02
Lenz Geerk｜伦茨·吉尔克
Collected in Eclosion Collection + Projects
Chinese / English
2025
Info
Article
300 words
Lenz Geerk生于1988年，是瑞士现代主义艺术家。杜塞尔多夫艺术学院的学习经历使他善于使用欧洲自然主义绘画技巧，巧妙地将自身情感经历带来的焦虑感受带入画面氛围，使其笔下人物带有平静，冷漠和毫无生气的特点。他模糊人物特征和场景，使这些人物仿佛存在于现实与非现实的交接地带。在这些精心描绘的作品中，Lenz Geerk试图反映了一种现代性的焦虑和倦怠，以及带给观者极致的“偷窥欲”。
从其个展《餐桌肖像》到《抵达》中可以看出，他对人们的心理现象的兴趣始终如一，并且善于应用心理隐喻。Lenz Geerk最容易辨认的创作模式是，使画面中出现令人匪夷所思的元素，如牛角包，花卉和面纱。当他将“单一元素”植入创作肖像画中，通常能打破紧闭的场景，使画面故事变得诡异，并让这个元素成为观者进入“模糊地带”的窗口。 Lenz Geerk用的绘画语言更像是对模糊的具象书写，通过描绘熟悉的场景事物将其变得令人不安和陌生，也对表征和现实的本质提出了问题。
Lenz Geerk将肖像画重新想象为一种可以挑战感知并吸引观众思想的重要工具。他的方法是绘制人的隐性面孔，描述其阴影地带，并试图具像化观者本身对于不安的感受想象。
Lenz Geerk, (b.1988 Basel, Switzerland), is a Swiss modernist artist. He has studies at the Academy of Fine Arts in Düsseldorf. These experiences have made him adept at using European naturalistic painting techniques. It
skillfully bringing the anxiety of his own emotional experiences into the moods of his works, which are characterized by calmness, indifference and lifelessness in his characters. He blurs the features of the characters and the scenes so that they seem to exist in a zone where reality meets unreality. In these meticulously rendered works, Geerk attempts to reflect the anxieties and weariness of modernity, and works gives the viewer a "voyeuristic" view of the screen.
In Geerk's solo exhibitions, Table Portrait to Arrival, Lenz Geerk's series of works reflect his interest in human psychological phenomena and the use of psychological metaphors. Lenz Gehrke's most recognizable mode of creation is the use of uncanny elements such as croissants, flowers and veils in his images. When he inserts "single elements" into his portraits, he tends to break the scene with elements, making the story of the picture outlandish and allowing the elements to serve as a window for the viewer to enter the "zone of ambiguity". The language of Lenz Görke's paintings is more like a figurative ambiguous writing, in which he depicts familiar things in disturbing and unfamiliar scenes, questioning the nature of appearances and reality.
Geerk reimagines portraiture as an important tool that can challenge perception and engage the viewer's mind. His approach is to draw the hidden face of the person, depicting its shadow zones and attempting to visualize the viewer's own imaginings of feelings of unease.
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